THE HERMIT

 

by Lena Friedrich

Interview by Zoe Potkin

 

Fotodemic.org Presents « The North Pond Hermit », aka Christopher Knight managed to stay undetected although all he ate and all he possessed was stolen from nearby summerhouses. The strange burglaries – peanut butter went missing while jewels were left untouched - created feelings of uneasiness and frustration among the townspeople who increasingly grew wary of one another. When he was finally arrested and his identity disclosed, Christopher Knight became the subject of media frenzy. Very much against his will, “The Hermit” became a controversial figure, a media sensation, and a real folk hero. The colorful townspeople tend to project their own fantasies and reveal their own psyches when trying to make sense of a man who had rejected them, their values and their social codes.  “The Hermit" essentially becomes a mirror reflecting the attributes and fantasies that people project onto him. Director’s statement: Along with hundreds of thousands people all over the country, I was immediately intrigued by the story of Christopher Knight, aka the "North Pond Hermit”, when it came out on the national news. This man has spent 27 years --approximately my lifetime—with no human contact. He survived by stealing everything he ate and possessed from nearby summerhouses. Following his arrest, the “North Pond Hermit” most unwillingly became the talk of the town and the subject of international media attention. The article I stumbled upon included interviews with the North Pond locals. Two things raised my curiosity: 1- Every interviewee had a very strong opinion about Knight. 2- None of them had the same opinion. Some see him as a criminal, others as a romantic hero. I attempted to show how “The Hermit” essentially had become a mirror reflecting the personal values and fantasies that people project onto him. The film, while structured as a narrative “trap” to capture The Hermit’s persona, leaves room for discovery and interpretation and suggests how easy it is to put a spin on things we don't really understand.   Bio: Lena Friedrich is a French-American filmmaker/ writer. Raised in Paris, she studied study sociology and cinema at Columbia University (New York). She has worked as a TV journalist for French TV and as a freelance filmmaker/ producer for various production companies. Her first book, The Neurotic Notebook, a playful compilation of graphic thoughts should come out in winter 2020. You can follow her on instagram @lenouch Credit List : DIRECTED AND PRODUCED BY : Lena Friedrich CO PRODUCERS : Laura Snow and Aitor Mendilibar DIRECTOR OF PHOTOGRAPHY : Laura Snow SOUND RECORDIST : Aitor Mendilibar EDITED BY : Lena Friedrich CONSULTING EDITOR :Bob Eisenhardt STORY CONSULTANTS : Immy Humes & James Lecesne STILL PHOTOGRAPHER : Aitor Mendilibar ORIGINAL SCORE: Fatrin Krajka & Gary Lucas (the legenary guitar player who compose Jeff Buckley’s Grace) SONGS : Minnehonk Blues by Stan Keach and Dan Simons Banjo In Hallowellfor by Stan Keach and Dan Simons The North Pond Hermit by Troy R. Bennet MUSIC SUPERVISER : Benoit Munoz 2014 Official Selection of Camden festival 2015 Official Selection of IFFBOSTON Official Selection Brooklyn Film Festival Official Selection of Fargo Film Festival 2016 Official Selection of Beloit Film Festival


synopsis

When the news broke that a man had been hiding in the woods of Maine for 27 years, it turned into a media sensation. Overnight, the identity of the legendary “North Pond Hermit” was disclosed and he became the talk of the town.

The Hermit is a documentary about the extensive impact made by someone who spent a lifetime trying to erase any hint of his own existence.

ABOUT THE FILMMAKER

Lena Friedrich is a French-American filmmaker and writer.

CREDIT LIST

Directed and Produced by Lena Friedrich

Co Producers: Laura Snow And Aitor Mendilibar

Director Of Photography: Laura Snow

Sound Recordist: Aitor Mendilibar

Edited By: Lena Friedrich

Consulting Editor: Bob Eisenhardt

Story Consultants: Immy Humes & James Lecesne

Still Photographer: Aitor Mendilibar

Original Score: Fatrin Krajka & Gary Lucas (The Legenary Guitar Player Who Composed Jeff Buckley’s Grace)

Songs: Minnehonk Blues By Stan Keach And Dan Simons

Banjo In Hallowellfor By Stan Keach And Dan Simons
The North Pond Hermit By Troy R. Bennet

Music Supervisor: Benoit Muno

Interview by Zoe Potkin

I was randomly checking the news when I saw an alert about Christopher Knight’s arrest. It said something like “Man arrested after spending 27 years in the woods of Maine.” 27 years! That was approximately my age at the time. I had lived in different countries, worked different jobs, fallen in and out of love, and during all that time this man had not had a single human interaction. He had simply been living in the same campsite, lost in the woods.

The article I had stumbled upon included interviews with residents of the town into which Knight snuck in at night to steal what he needed to survive.

Two things raised my curiosity:

1.    Every interviewee had a very strong opinion about Knight.

2.    None of them had the same opinion.

But what truly prompted me to go to Maine with a small crew and shoot the film was a line from one of the victims of Knight’s robberies: “He doesn’t like tuna fish too much.” I thought that was just so funny!

I had contacted the president of the North Pond Association in advance and he generously introduced us to his community. It was pure luck that we ran into Carrol, the mustached man who guided us through the dense woods to Knight’s secret campsite. He found his way by looking for a particularly sharp stone or recognizing some broken branch in the middle of the forest. It was uncanny! Every media outlet, including the New York Times, had been trying to access the encampment and couldn’t find it. We were the only ones who filmed it before the location was disclosed.

In the comments section of the local newspapers, I noticed that people were reacting to the story very intensely, sometimes with great hostility. The town became polarized between those who saw “the hermit” as a villain and those who saw him as a folk hero of sorts. I realized that as with every legend, the true legend of “The North Pond Hermit” had many versions and interpretations. I tried to find characters who would provide personal layers of understanding to the enigma. 

What makes Knight’s story so extraordinary is that it happened in the 21st century. Had the story happened in 1914 instead of 2014, it wouldn’t have been so remarkable and it wouldn’t have been sensationalized by social media or the international press.

It is only in contrast with today’s urban, hyper-connected normative lifestyle that living a solitary life in the woods becomes so puzzling. In the age of selfies, this man had not even seen his own reflection in a mirror! He did not care for productivity hacks or social media following, and he certainly didn’t suffer from fomo. 

I think people react strongly to Knight because he radically rejected everything that is supposed to make us happy – meaningful relationships, a fulfilling career, material comfort – yet, he was content in the woods.

Also, dropping out of society is the ultimate, most radical act of freedom. It is inspiring for someone like me who feels slightly rebellious when putting my phone on airplane mode for a couple of hours.

While the epidemic has shown how connected and interdependent we are on a global level, confinement has revealed how resourceful we can be individually.

Suddenly, we discover all the things we are capable of making, fixing, cooking. We also realize all the things we can live without and that can be very liberating. 

Knight’s story expands the limits of what we considered possible for a human. Perhaps this can give us the perspective to examine our own lifestyles and reflect on modern society as we enter the post-Covid world.

I feel very comfortable with solitude. It is a restorative state for me, but I get energized and inspired by people. It’s a fine balance.

The way in which I relate the most to Knight is not so much his love for solitude, but his struggle to fulfill social expectations. I find it pretty hard and boring to do what you are supposed to do. My way of dealing with that is not to escape expectations, but to play with them.

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